As those of you who have been following this blog know, one of my primary purposes is to introduce today’s golfers to some golf history that has gotten lost over time — the links that existed between golf and poetry. Thanks to Michael Whitmer, the Boston Globe golf writer and Suzanne Kreiter, an award-winning Globe photographer, I am getting some help. Take a look at http://www.boston.com/sports/golf/articles/2009/04/16/taking_a_shine_to_the_rhyme/ And I did make that chip!
Another Golf Season Begins
April 13, 2009 by 2 Comments
Poems don’t need to be long to be moving. In fact, often the brevity of a poem is what gives it impact. But good short poems are not like short putts; they are not that easy to make.
Last week The Masters officially ushered in spring for those of us who live where the seasons still exist. The pictures of Augusta National on television almost called for a poem. Four lines by Joyce Kilmer, with one obvious change, might fill the bill. (Kilmer is most famous for his poem “Trees.”)
Longer Drives – Can a Poem Help?
April 6, 2009 by Leave a Comment
In 1680 John Patersone, an Edinburgh shoemaker, partnered with the Duke of York (later King James II of England) to win the first international golf match. The following year Patersone built a house in the Cannongate of Edinburgh and on the front he affixed a plaque (supplied by the Duke) that read “Far and Sure.” And so began the focus on distance and accuracy.
The Golf Girl – 1899 Version
March 30, 2009 by 1 Comment
The Golf Girl from PBA Catalogue
The first “golf girl” may have been Mary, Queen of Scots. Mary was born in Scotland in 1542 and is said to have played golf as a teenager in France. She definitely played when she returned to Scotland. The ill-fated Queen is remembered best for showing bad form when at age 27 she was seen playing “in the fields beside Seton” a few days after the murder of her second husband, Lord Darnley.
Unfortunately, in1586, after a long period of “match play” with her cousin, Queen Elizabeth I, Mary lost her head! A rather poor start for women’s golf.
Women’s golf, however, does carry at least one historical literary distinction. [Read more…]
Where Have All My Good Drives Gone?
March 23, 2009 by Leave a Comment
From the Minute Books of the Bruntsfield Links Golf Club:
“Bruntsfield Links, 28th Sep. 1839
During the evening the Secretary sang the following impromptu:—
Come, all you Golfers stout and strong,
Who putt so sure and drive so long,
And I will sing you a good song,
About old Captain Aitken.”
I will spare you the remaining verses.
The Scottish and English Golf Clubs have always included songs in their rituals. For example a song called “The Golfer’s Garland” included in Robert Clark’s book, Golf: A Royal and Ancient Game, was said to be “composed for the Blackheath Golf Club, and often sung with great spirit …” Clark includes other songs in his book.
These golfing songs were often poems that where written to be sung using the melodies of familiar tunes. With that in mind, I penned the following song to be sung to the tune “Where have all the flowers gone?,” in hopes of continuing the tradition at some existing golf club. Those of you who remember the tune are encouraged to sing along. [Read more…]
The Poetry of Match Play
March 16, 2009 by Leave a Comment
The following is the one of the closest links between golf and poetry that I have ever found. The story and poem appeared in the November 1913 issue of The American Golfer.
“Two Californians, Dr. Walter S. Power and Mr. Mark Sibley Severance, “a well known author and an ardent golfer” finished a match all even. The following day Dr. Power sent Mr. Severance a challenge “couched in a rather indifferent rhyme.” Here is Mr. Severance’s reply. [Read more…]
A Poet’s Approach to Fixing a Slice
March 9, 2009 by 1 Comment
When you look up “slice swing,” Google provides 1,540,000 results! But, then, the number of slicers is still far larger. So this Post is aimed, sympathetically, at all of you who seek to straighten out your swings.
The truth is that golfers have always been frustrated with balls that veered sharply right (for a right-hander). And instruction books from the beginning have tried to help duffers find a cure. Take, for example, the famous book The Badminton Library: Golf, written and edited by Horace G. Hutchinson and first published in 1890. In a chapter titled “Out of Form,” Sir Walter Simpson, member and once captain of The Honourable Company of Edinburgh Golfers, writes,
“Whether in the case of a beginner or an old player, the ball when driven has a great tendency to curve off to the right. There is perhaps nothing more difficult to get rid of than this form of bad driving. … It is very evident that to enable him to correct the result the player must know what is its cause or combination of causes.” [Read more…]
Golf Ball Poetry
March 1, 2009 by 9 Comments
Spalding Balls from a PBA Galleries Auction
If you think that selecting a golf ball is complicated in today’s market with multiple brands each with several balls, then consider what one company, A. G. Spalding & Bros., was offering in 1914. A Spalding advertisement in the September 1914 issue of Golf magazine (from the USGA’s Seagle library) offered readers “Large size balls,” either “light weight” or “heavy weight;” “Medium size balls,” again light or heavy weight; or “Small size balls,” this time “medium weight” or heavy. Each ball was designed for a particular group of players. For example, the small heavy ball was for “extreme distance…and for long players particularly,” the medium light ball was for “ladies and light hitters…,” while the large light ball was for “moderate hitters….” [Read more…]
Tiger and Jack in a Clerihew
February 22, 2009 by 2 Comments
Murder on the 8th Hole
E. C. Bentley (1875-1956), the English journalist and writer, was famous in the first half of the 20th century for his Philip Trent mystery stories. One of his short stories, The Sweet Shot, was selected for inclusion in Golf’s Best Short Stories edited by Paul D. Staudohar and published in 1997. But Bentley, whose full name was Edmund Clerihew Bentley, should be better known for inventing a particular type of poem that has become known as the “Clerihew.” Clerihews are four line verses of the form aabb, in other words, the first and second lines rhyme as do the third and fourth. Beyond their rhyming scheme, Clerihews have a particular structure and purpose. Each focuses on one or more aspects of the life and/or the works of a famous person while allowing for, better yet encouraging, overstatement, distortion and humor. It is also a requirement that the first line of a Clerihew begin or end with the person’s name. When Bentley was 16 he wrote his first Clerihew.
Sir Humphry Davy
Detested gravy.
He lived in the odium
Of having discovered Sodium
Bentley, in later years, wrote at least two golf Clerihews. [Read more…]
Who Wrote Harry Vardon’s Poetry?
February 15, 2009 by 1 Comment
Taylor, Braid and Vardon
The “Foreign Notes” section of the March 1917 issue of The American Golfer includes an unexpected connection between several famous English golfers, the First World War and golf poetry. The British correspondent to the magazine, Henry Leach, wrote that four of England’s greatest golfers, Harry Vardon, J. H. (John Henry) Taylor, James Braid, and Alexander Herd (who beat Vardon and Braid to win the 1902 British Open championship), were asked to write four line poems that as a group would be “disposed of in the way of a lottery for the benefit of one of the war funds.” The poems were written, framed and delivered to the Mid-Surrey Golf Club where the lottery took place.
During a 21 year period, from 1894 to 1914, one or another of these four golfers won the Open a total of 17 times, Vardon six, Taylor and Braid each five, and Herd once. However, as golfer-poets, none of the four would have made the cut.
But Vardon’s poem proves interesting in a different way. [Read more…]
Golf Course of Rhymes 
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