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Golf’s “Don’t Ask, Don’t Tell”

This week’s poem is by an English golfing poet though his name is unknown. It appeared in a book called Mr. Punch on the Links which consists of golf stories, cartoons, and poems from the British magazine “Punch.” The book was published around 1930.  “Punch,” a magazine of humour and satire, ran from 1841 until its closure in 2002.

The poem provides a gentle warning to two kinds of golfers; the first who is only too willing to tell it all after a match and the second who give the first the opportunity.

The Retort Imaginary

SIR, for the information you’ve imparted,
The prompt outspokenness of your reply,
Ranging from that fine drive with which you started
To the long putt by which you won the bye,
With details of the bunkers, whins and banks
Which you surmounted, pray accept my thanks.

I’ve no excuse now, with the facts before me,
For ignorance, no reasonable ground
For doubt as to the hole that saw you dormy,
Or where your victim finally was drowned.
‘Twas kind to give a confidence so free
To a mere casual listener like me.

You’ve told me of the pair in front that beckoned
For you to pass, then found the ball and played
(At the fourth hole) which made you miss your second;
You’ve told me of the stymies you were laid,
And indicated just exactly where
You lifted from the ground under repair.

That chip that got a bad kick at the seventh;
The ninth (the short hole), where you hit the pin;
That run-up shot that won you the eleventh;
The thirteenth where the ball just trickled in—
You’ve made it all quite clear, and it was nice
To know you’ve cured that tendency to slice.

I’m quite convinced you’ve done the best you can, Sir;
Ungrudgingly you’ve given me, I know,
A comprehensive categoric answer
To my brief question of an hour ago;
But it was mere politeness, all the same,
That made me say, “Well, Jones, how goes the game?”

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The “Rubaiyat’s” Contribution to Golf Poetry

To write a parody of a poem, you would take the basic characteristics of the verse (for example, its rhyming scheme and basic idea) and then rework them for comic or ironic effect.

Now suppose that you are a young golfer and poet around the turn of the 20th century. Being literate, you are aware that Omar Khayyam’s poem, Rubaiyat, is being parodied left and right. So one day, after being around the golf course until early evening, you pick up a copy of the poem (it was easy to do then). Reading through the verses, you are struck by the stanza 27,

Myself when young did eagerly frequent
Doctor and Saint, and heard great Argument
.     About it and about;  but evermore
Came out by the same Door where in I went.

If your name was Henry Boynton, a graduate of Amherst with a Masters of Arts, then, looking at the stanza you might have thought about all the controversies regarding the fundamental of golf being discussed by golfers such as Jamie Anderson and Jamie Braid and all the other Jamies of the time. And this might have led you to write (as part of a book, The Golfer’s Rubaiyat),

Myself when young did eagerly frequent
Jamie and His, and heard great argument
.     Of Grip and Stance and Swing; but evermore
Found at the Exit but a Dollar spent.

Little did Boynton know, but he himself would be parodied by later golfing poets.

In the July 1910 issue of  The American Golfer, a poet named Jack Warbasse wrote,

Myself when young did eagerly frequent
Travis and Braid, and read great argument
.     About the Grip and Stance; but evermore
Play’d out by the same Stump where in I went.

And then in 1919, a Scottish writer, poet and drama critic Robert K. Risk published a book of collected poems, Songs of the Links, that included the poem “The Golfaiyat of Dufar Hy-Yam.” In that poem we have,

Myself when you did eagerly frequent,
Club-makers’ Shops, and heard great Argument
.     Of Grip and Stance and Swing; but evermore
Learned and Bought little I did not repent.

Finally, in 1946, J. A. Hammerton, a Scottish statesman and author, published a book, The Rubiayat of a Golfer, in which he wrote,

Myself when young would hopefully frequent
Where Pros and Plus Men had great argument
.     On Grips that overlapped, on Swing and Stance
But came away less hopeful than I went.

So what have we learned? First, that there are limits to the golfing parodies of stanza 27 of the Rubaiyat. And second, Instruction about grip, stance and swing has been confusing for a long time!

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When Golf Poetry Matters

Jerome Travers, the great amateur golfer of the early 20th century, included a chapter called “‘First Aid’ to a golfer ‘Off his Game,'” in his book Travers’ Golf Book ( New York: The Macmillan Company, 1913). He began, “What a note of tragedy there is in those few words “the golfer is off his game.” Travers went on to write,

The golfer ‘off his game’ cannot drive, approach or putt, he doesn’t know what the matter is and he has completely lost confidence in himself.

Travers’ prose gives us a straight forward description of what it is to be off one’s game in golf. However, it takes a poet to get to the essence of the problem and its ramifications.

In a book called Humors and Emotions of Golf (1905), a poet known only by the initials (E.M.B.) tells us what it’s really like when “He’s off his game.”

He’s off his game.”

Like hollow echoes boding ill,
His heart is wild with tremors chill,
And whispers in a small voice still—
An admonition—ghostly—shrill—
.          “He’s off his game!”

His divots fly like night-bats doure;
His drives are never far and sure;
And bunkers, like Charybdis, lure
His erring ball to depths obscure;
.          “He’s off his game!”

In vain seem all the pro’s sage tips;
His little gutty always lips
Or over-runs the hole; then slips
That naughty D——I must ellipse,
.          He’s off his game!”

Thro’ distant whins and stubborn gorse
With grim expletives gaining force,
He plunges on his zig-zag course,
Until he sighs in deep remorse,
.          “I’m off my game!”

At home his brooding spirit shows
The weighty cares of hidden throes;
Too well his Golfing Widow knows
The anguish of her hubby’s woes—
.          “He’s off his game!”

Andrew Lang (1844-1912), a famous Scottish writer and poet as well as golfer, also wrote a poem of similar anguish called “Off my Game.” Could the agonies and frustrations of golf be fully described without poetry? I think not.

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Golf Poetry from the Captain of the Leven Thistle Golf Club, 1886

In last week’s Post, I included a poem from a book, Divots for Dubs. The book  can be found in only four libraries in the U.S. Last Monday, I received a book in the mail called Golf Songs and Recitations that I bought from a book seller in England. No libraries carry this book!

What I actually bought was a 1988 reproduction of the original which had been published first in 1886 and then printed again in 1895. This very small (6 1/2″ x 4″) 32 page “book” was written by David Jackson, then Captain of the Leven Thistle Golf Club.  In the book’s Introduction, Jackson says he composed the songs and verses in the book because he had,

heard very few Songs in honour of the Game, and [he] … often thought it a pity that such a popular recreation should be so little celebrated by the Poets.

The first poem in the book is called “Ode to Golf.” In it Jackson describes his love of golf in words that still resonate more than 120 years later. I am including the complete poem since I don’t believe you will find it any where else on the web or in any other book. I think you will enjoy it.

ODE TO GOLF

Oh, Golf, thou art a pleasure dear,
That cheers us on from year to year;
That soothes the heart, and cools the brain,
When stirred with grief, or seared with pain.
Whene’er the wintry snows are over,
Around the Greens we fondly hover;
All blythe of heart as busy bees,
We swing our Clubs, and seek our tees,
The smiling sea, the sunny sky,
The song of larks that heavenward fly,
The flowers that spring to meet the eye
Proclaim the Golfing season nigh.

To Swing, then Drive, To Putt, and Hole,
To some may seem absurd and droll;
To me it is a joy, a pride—
Worth twenty other games beside.
Where is the rival to the game
Of royal and of ancient fame;
Or what is such a cheery houff
As just a friendly match at Gouff?
And when at last, in good old age,
No more at Matches we’ll engage,
We’ll turn to memory’s page and fain
We’ll fight our battles ower again;
And leave to youth the active sport,
The miss, the drive, the miles, the short,
The sclaff, the foozle, the weel sent hame,
The ups and downs of this dear game.

Then fill a bumper, fill it high,
Hurrah for Golf, may Golf ne’er die,
But still from age to age increase—
A game of friendship, love, and peace!

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A Rare Golf Poetry Book

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Those of you who have been following this blog know that most of the poetry is from old golf books and magazines. Part of the fun of writing the blog is finding new (old) books which provide me with new material.  Brian Siplo (co-author of a wonderful book about Harry Vardon’s first trip to the U. S., called The Vardon Invasion) recently told me about some old golf poetry books. With a bit of luck, I was able to buy one of them called Divots for Dubs through Abebooks. The 96 page book was written by J. Ellsworth Schrite who self-published it in 1934.

The book  explains in verse, how to play golf. The author makes this very clear in his charming introduction,

Divots for Dubs

“DIVOTS FOR DUBS” explains in verse,
How to play golf, better or worse;

The history, the course, the clubs to choose,
The stance to take, the swings to use;

What to wear, and where to look,
How to slice, and how to hook;

Things that on each course are seen,
Things you need to play “Nineteen”;

A bit of humor, a bit of sense,
Some alibis for self defence:

Get your “Divots”, take a look,
You miss a “par” if you miss the book.

If you want to read on, however, you will be challenged. According to WorldCat only four libraries in the world have it! But that’s also part of the fun I have: bringing inaccessible golf poetry back to life in this blog.