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Golf Adjustments for More Distance

The TaylorMade R1 Driver

My father once wrote the following verse:

Laugh when you can
Cry when you must
Do as you plan
Plan to adjust.

(Philip S  White)

When he wrote these four lines I believe he thought of them as words to live by. Today they might also be the watch words of those who would have short hitters “Tee it Forward.” The verse would also appeal to TaylorMade and other makers of adjustable drivers.

Adjustable drivers were in the news this week when we learned that Ricky Fowler, Rory McIlroy and Lee Westwood all increased the lofts on their drivers to take advantage of high altitudes at the WGC-Accenture Match Play Tournament. More generally, adjustable drivers seem to be the answer to a club-fitters dream: one club, but in the extreme, multiple settings for loft, lie, face angle and the distribution of weights. In the case of TaylorMade’s new R1 driver, 168 combinations are possible.

Of course the idea behind “one club fits all” is more distance and accuracy.  According to TaylorMade,

“. . .  data from the company’s MATT club fitting systems across the country showed that 80 percent of golfers were playing the wrong loft in their drivers, and that 35 percent of them were 2 degrees or more away from their optimal loft.”

TaylorMade’s answer: the R1 driver along with a fitter. And to be fair, Callaway, Titleist, Nike, Ping, Cobra and others have their answers as well.

But there’s another option. I would bet that if TaylorMade had collected a different set of data, they would have found that 80 percent of golfers  were hitting their drivers from the wrong tee. That may be an exaggeration, but the truth is that many golfers among TaylorMade’s 80 percent are being penalized twice with regard to distance off the tee. And even golfers playing the optimal loft may be playing from the wrong tees.

So if your driver fits you but your drives just aren’t long enough, here is a verse for you,

I’m not buying an adjustable driver
No change in loft or lie for me;
But I’ll still get a lot more yardage
By moving up to a forward tee!

On the other hand, if you “plan to adjust,” then we need a modification,

I’m going to buy an adjustable driver
And have it fit just right for me;
Then I’ll extend the yardage gain
By moving up to a forward tee!

And if you’re Michael Phelps, the newest Golf Channel star, your verse might read,

I ‘ve already got my adjustable driver
And the Blues are the only tees for me
But I still want a lot more distance
So I signed up for Project Haney.

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A hundred years ago, golf magazines of those days such as Golf, The American Golfer and Golf Illustrated all included golf instruction articles and tips. They also regularly included golf poems. Today’s golf magazines include golf instruction articles and tips, but no poetry. Reading through the February 2013 issue of Golf Digest I was impressed with the large number of tips. I thought that some might be better remembered if they were presented in the form of a poem. Here’s what I came up with. (I have also noted the tipper.)

Some Tips from the February Issue of Golf Digest Magazine

Magazine tips
from Jan to December
But when you need one
will you remember?

When your driving’s erratic,
and you’re feeling uptight
Will you infer
that you’re timing’s not right?  (From Louis Oosthuizen)

When you need to recover,
Remember what’s true:
“It’s not just the recovery,
but where it leaves you?”      (Tom Watson)

When all putts go left
Will you recall
That you must set your eyes
Inside the ball?

And a tip to remember
Right out of the gate,
Putt aggressively
When the line’s straight.  (The last two from Sean Foley)

With your fairway woods
As you reverse your pivot
Extend your arms,
And take a small divot.  (Todd Anderson)

When the flag is back
And you align
“Bag your wedge”
And run a little 9. (Jim McLean)

Poetry might help you
Remember these tips
And not in this Issue,
Check for worn grips.

And a last tip from me
When you’re playing the game
Fun and enjoyment
Is where you should aim.

Leon S White, PhD

In a number of previous Posts I have suggested that you will have more fun with these poems by reciting them. With that in mind I am starting something new with this Post. If you click below, you can hear me recite this poem! If you have a moment let me know what you think.

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The End of Golf Season Once More

The following is an excerpt from my book Golf Course of Rhymes – Links between Golf and Poetry Through the Ages. (The book is available on Amazon,  Barnes and Nobles and Amazon in Europe including Amazon UK.)

Francis Bowler Keene, who graduated from HarvardUniversity in 1880, a contemporary of Kipling, wrote a poem that should appeal especially to golfers who live in snowy areas of the country. In his title, Keene uses the word “monody,” meaning lament, to set his tone.

A Golfer’s Monody, After the First Snowfall

No greens, no tees;
.        No fragrant breeze;

No harmony of happy-hearted birds;
.        No verdure deep;
.        No roaming sheep;

No faithful collies, watchful of their herds;
.        No sunny glade;
.        No woodland shade;

No ferny path beneath the rustling trees;
.        No springy turf;
.        No murmuring surf;

No passing hum of honey-laden bees;
.        No motors fleet;
.        No golfers’ meet;

No lazy caddies lolling day by day;
.        No warning call;
.        No flying ball;

No contest in the fine and friendly fray;
.        No clubs to wield;
.        No drive afield;

No plaudits as the ball, far-driven flies;
.        No close-trimmed lawn;
.        No bunker’s yawn;

No hidden hazards lurking with bad lies;
.        No brassy swift;
.        No niblick’s lift;

No ringing click of iron, clear and clean;
.        No cleek’s true swing;
.        No mashie’s fling;

No careful putt along the velvet green;
.        No Club-nights gay;
.        No moonlit bay;

No dinners marked by mirth and merry jest;
.        No music bright;
.        No dancers light;

No broad verandah thronged with happy guests;
.        No winding walks;
.        No golfers’ talks;

No genuine delight for every member;
.        No matches more;
.        No games galore;
.        No joyous strife;
.        No zest in life;
.                November.

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president mckinley

When President Obama first took office, I wrote a Post, “When Travis Played the President,” about a golf match at the Chevy Chase Club course in Maryland between Walter J. Travis and President Taft. (See http://golfpoet.com/2009/02/09/when-travis-played-the-president/)

In his first term, President Obama has played his share of golf. During the re-election campaign he has been criticized for this practice. Here, for example, is a recent headline from CBSNews.com, “President Obama plays 100th round of golf, draws fire from critics.” But golfing Presidents are nothing new.  Nor is the criticism.

The exploits of golfing Presidents have been ably documented by ESPN Senior Writer Don Van Natta in his book  “First Off the Tee: Presidential Hackers, Duffers, and Cheaters from Taft to Bush.” But what about Presidents who may have tried golf before Taft? As Van Natta points out, in 1897 during his summer vacation President McKinley was persuaded  by his Vice President Garrett Hobart to play a few rounds. But McKinley  had no success.  Van Natta goes on with the story, writing,

“Two years later . . . McKinley surprised his aides when he announced that he would like to take up golf again.  . . . But his senior advisers were very concerned, telling McKinley that golf was “undignified for a President . . .”

In today’s world, if a reporter caught wind of such a story, s/he might have had some fun with it in a few paragraphs. But in McKinley’s time when poetry was popular, here is what I found in the July 7, 1899 issue of Golf Illustrated, an English weekly publication:

“President McKinley is only deterred from taking to Golf by fears that by so doing he might compromise the dignity of the Presidential Office. The Evening News’ poet soliloquises as follows:

‘What degradation may there be,
What loss of manly dignity,
In boldly driving off the tee?
Or is it that, perhaps, you know
Your limbs, I mean the ones below
In heather stocking clad, would show
But thinly,
McKinley?’”

Maybe President Obama is lucky that there seems to be no interest in poetry among his Republican detractors.

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Two Golf Poems About Opposites

In a previous Post (http://golfpoet.com/2010/10/04/golf-opposites/)  I included two word-play poems based on the idea of “opposites.” The famous American poet and former poet laureate Richard Wilbur is the originator of this idea. Here are two more that I recently wrote:

THE OPPOSITE OF CUP

What is the opposite of cup?
Glass an answer that pops up.
But if the cup is on a green
Though underground and so unseen
It could be paired with holes of sand
Where errant balls are want to land.
Then cup’s opposite’s a clunker
Known to golfers as a bunker
.

THE OPPOSITES IN PUTTING

Fast or slow could be the query
When on a green, mad or cheery.
But then there’s also straight or not
And uphill or down to thicken the plot.
The wind as well, still or breezy
All makes putting hard not easy.

Envoy

The opposites of driving may hold less terror
But still there’s plenty of room for error.

These poems as well as all the others I’ve written in the last few years will be include in an eBook that I will soon complete and publish called If only I could play that hole again – And Other Golf Poems.

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Golf History (and More) from an Old Golf Poem about Walter J. Travis

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I am always on the lookout for old golf poetry books that I can afford. Recently I bid on a book published in England in 1905 called The Golf Craze ─ Sketches and Rhymes  by “Cleeke Shotte, Esq.” It was offered by the PBA Galleries in San Francisco. And I won it. The book was actually written by John Hogben, a member of the Duddingston Golf Club in Edinburgh and its captain in 1921.

Included among the rhymes was one titled “To Mr. W. J. Travis ─ Amateur Golf Champion, 1904.” For our purposes, you need to know that Walter J. Travis was born in Australia in January 1862. He came to New York City at age 23. He began playing golf in October 1896, three months short of his 35th birthday. He soon began playing competitively. Now comes the most remarkable part: In 1900, 1901, and 1903 he won the U.S. Amateur Championship; and, in 1904 he became the first American (he was by now a naturalized citizen) to win the British Amateur Championship. He went on to do many other impressive golf-related things before he died in 1927. You can read more about Travis at http://bit.ly/Q0VKvX.

The poem, though a tribute to Travis, raises a question about the “strange putter” that he used. There is also a reference to staying “the mighty war.”

To W. J. Travis
Amateur Golf Champion, 1904

The cry is still “They come!” for we may say
The lust of conquest reigns in U.S.A.
Another Cup goes Westward; ‘tis a shock
We owe, sir, to that aluminium block

That taught your golf-ball all roads lead to Rome,
And sent it straight, and far, and surely home.
There is no name whereby to call the utter
Amazement that we owe to your strange putter.

It was not thought that in our chosen game
A foreign player could make good his claim
Against the prowess of the Britisher,
Without whom neither golf nor golfer were.

Forgive me, for you know the game is ours;
We sowed the seed; the world has reaped the flowers.
Yet, after all, no grudge we owe you, for
The mimic helps to stay the mighty war.

No Frenchman are you, German, or what not
But of our generous cousin-blood begot─
Nay, I forget, for closer still the ties,
Were you not cradled under Austral skies?

The “strange putter” was the so called Schenectady Putter invented by a General Electric engineer in 1902. Travis made the putter famous when he used it in the 1902 U. S. Amateur Championship. The aluminum Schenectady Putter was mallet-headed and center shafted. Travis used it again to win the 1903 U. S. Amateur and, of course, the British Amateur in 1904. In 1910 the R & A, the ruling body for golf in Great Britain, banned the Schenectady Putter and others of similar design. The U.S.G.A. did not follow suit. But still, in light of the current controversy regarding “anchored” putters, it is interesting to note that there is a precedent for a ruling body to ban a class of putters being played.

The reference to a possible future “mighty war” foreshadows the first world war. Ironically, the one reference to the poet John Hogben that I was able to find describes him in June of 1921 presiding over the unveiling of a memorial tablet to commemorate members of his golf club who had died fighting the great war. (See http://bit.ly/NSFski)

If you have a comment, I would be pleased if you would share it below.

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Golfing Truths

A golfing truth:

Golf is changing always changing
When you’re talking balls and clubs;
But if you’re talking golfing talent
Dubs today are still just dubs.

To validate this “golfing truth” one need only consult the golf poetry of close to 100 years ago. For example, Grantland Rice, the best American sports writer of the time and also the best sports poet, wrote the following lines which are found in his book Songs of the Stalwart (New York: D. Appleton and Company, 1917), and to which we can still relate.

THE LAND OF PAR

There are days when my drives wing far,
When my iron shots clear the rut;
But then when I get on the green in two
I putt and I putt and I putt.

There are days when my chip shots roll
Like a Vardon’s to the pin,
But I’ve missed my drive and I’ve taken six
At last when the putt drops in.

There are days when my putts run true
And straight to the waiting hole;
But these are the days when my mashie shots
Have shattered my aching soul.

Oh, gods of the golfer’s realm,
Over the bunkered heather,
When is the day to come when I
Hook three fine shots together?

But fortunately,

From time to time we make those shots
Instead of just imploding;
Then brief delight is our lot  
And we make like Vesuvius exploding.

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Na Yeon Choi – U.S. Women’s Open Champion

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Less than two weeks ago, Na Yeon Choi won the U.S. Women’s Open by four shots over Amy Yang. Choi began the day with a six shot lead. And at the turn, she still led Yang by five. Then it got interesting.

 The newspapers and magazines have told the story of the last nine holes in straight forward prose. I thought it would be fun to re-cast this minor epic in a more traditional form.

Na Yeon Choi – U.S. Women’s Open Champion

She was cruising along with a five shot lead
And just nine more to play
But the ever present golf gods
Had not yet had their say!

As she turned for home with a  big Open lead
Fans saw her name on the cup
Especially now with it down to a match
And she was the on five up.

But the golf gods knew the score as well
And on ten they went into action
Soon enough Na Yeon Choi
Was losing more than just traction.

Her drive went out and couldn’t be found
She was back on the tee for her third
When her putt finally sank she was up only two
But surprisingly undeterred.

A resolute Choi bounced right back
With a birdy on eleven
The golf gods were clearly hard at work
In the depths, then close to heaven.

The down and up would continue
From the next tee into high weeds
But a brilliant wedge put her ball on the green
And she holed with a perfect read.

On thirteen the gods gave one final scare
Her ball hit two rocks, au revoir
But dry it remained miraculously
Choi then made an up and down par.

In the end the golf gods seemed to remember
A dream from way way back
When Na Yeon first said “I just want to be there”
While watching Se Ri Pak.

Accepting the cheers as she walked up the last,
Her win beyond a doubt
Standing where her hero had stood
She finally putted out.

“I’m here right now and I made it” she said
After winning ─ though I would wager
The thought that was foremost in her mind —
Like Se Ri, I’ve won this Major.

Leon S White
July 12, 2012

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A Golf Poem by Herbert Warren Wind!

Herbert Warren Wind, golf writer

After the U.S. Open Championship ends as it did so dramatically last Sunday, you might look forward to what the pundits on the Golf Channel or in the newspapers, golf magazines and blogs have to say.  Years ago, if you followed golf faithfully, you waited patiently for Herbert Warren Wind’s New Yorker article. And you were never disappointed. Wind, who graduated from Yale University, and earned a Master’s degree in English Literature from the University of Cambridge, began writing for the New Yorker in 1941. He covered the major golf tournaments for the magazine from 1960 to 1990 when he retired, a period when television coverage was for the most part still limited.

Wind often wrote in the first person and his reports always described the scenes he witnessed most vividly. For example, writing about the 1956 Open at the Olympic Club, at a point soon after television coverage had ended by proclaiming Hogan champion,

            “In the clubhouse—how sharp the picture remains!—Hogan sat slumped before his locker, patiently answering the questions of the press but sidestepping all congratulations with the reminder that his victory was not yet official, since some players were still out on the course.”

Later in the same paragraph,

“The news that filtered in was not hard and exact, but [Jack] Fleck was reported to have parred the thirteenth and bogeyed the fourteenth. Now, to tie he would have to birdie two of the last four holes. It was at about that time that I decided to get out on the course again.”

Catching up with Fleck on the par-3 fifteenth hole, Wind continued,

“As I was trying to find elbowroom in the crowd, a galvanic shout went up. Fleck, a frenzied man informed me, had holed from 9 feet for a 2. Now all he had to do was birdie one of the last three holes—not that this would be easy.”

With Wind’s retirement golf writing took a hit from which it may never recover.

As far as I knew, Wind confined himself to prose, so I was surprised to learn (from Bill Scheft, a Wind nephew) that Wind’s first contribution to the New Yorker was a poem. With Scheft’s help I found the poem on the last page of Herbert Warren Wind’s Golf Book. I offer it more as an historical artifact than great poetry. Wind’s prose will more than suffice.

Upbringing

The elevator man’s son counts:
1,2,3,4,5,6,7,8,9,10,11,12,14 and so on.
And sometimes mezzanine.

The porter’s son counts by fives:
5,10,15, and carry one, 15,20,25, and carry two. Or
By tens should speed require.

The agent’s son counts by fractions:
1-1/10, 2-1/10, 3-1/10, and so on.
He does it in his bean.

The golfer’s son counts:
1,2,3,fore,5,6,7. And balks
At counting any higher.

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Golf Poetry – Who Wrote it; Who Reads It (Part 2)

In 1886 David Jackson, the Captain of the Thistle Golf Club in Scotland, published a 32 page tract of poems and songs at the “repeated request of many members of my own and other Clubs.” Earlier in 1833, George Fullerton Carnegie privately published a long poem called “The Golfiad” which he dedicated the “Members of all Golfing Clubs, and to those of St. Andrews and North Berwick in particular.” They were his readers.

In the first 30 years or so of the 20th century, the audience for golf poetry expanded. The poetry appeared in golf magazines in both the United Kingdom and the United States and in a few newspapers as well.  A number of (real) books of golf poetry were also published But after about 1930, golf poetry lost its place as a part of the literature of golf and all but disappeared. As Grantland Rice saw it, “…good poets suddenly disappeared and readers for some reason lost the old poetic zest.” It may also be that movies, radio and other sources of entertainment began to attract audiences away from poetry in general.

Today poets struggles to attract an audience and golf poetry has few serious adherents. But we can, with the help of the internet, libraries and the digital reprinting of out-of-print books, rediscover the golf poetry of the past, which is what I have attempted to do with this Blog and my book Golf Course of Rhymes – Links between Golf and Poetry Through the Ages. And happily a number of readers have responded.

With the help of WordPress.com, my Blog host, I can tell you that golf poetry today enjoys a wider audience than ever before. Poetry on this Blog has been read (and hopefully enjoyed) by readers in more than 70 countries. Leading the list are the countries most associated with golf’s history, the United States (54% of the page views), the United Kingdom (21%), Canada (6%) and Australia (3.3%). But all of the continents have contributed viewers and the Blog has even had four page views from Iceland and two from Belarus! Page views in total for the three plus years of this Blog have passed 67,000.

Reading and even more so, reciting golf poetry is a new experience for most of today’s golfers. So, if it’s new for you, why not begin by reciting the last four lines from one of David Jackson’s poems, “Gouff Dings A’” loosely translated as “Golf Surpasses All,”

Then, let us swell the mighty throng of Princes, Lords, and Kings
Who have enjoyed the game of Golf above all other things
And wish success to every one, let him be great or sma’,
Who loves the jolly game o’ Gouff–for Gouff dings a’. 

 And sometimes poetry dings prose.

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